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The light, space and vibrancy of colour in this large-scale work are influenced by the artist’s engagement with 20th century Californian and Expressionist painting. It is a leading example of the passion and ‘divine’ spiritual energy that defines Trudie Tara Moulton’s work.
Viewing this huge colourfield painting is an immersive experience. The frequency of the colour palette in warm coral, reds and pinks and cooler turquoise greens is palpable on the body.
Collect as a joyful Abstract Expressionist work that pairs technical brilliance with a searing emotional radiance.
Love Knows No Limit can be hung vertically and read as an abstract landscape, but the artist prefers that it is primarily read as a non-objective abstract painting evoking the expansive metaphysical field of love; the infinite force which knows no limit.
"Love knows no limit to its endurance, no end to its trust, no fading of its hope; it can outlast anything. It is, in fact, the one thing that still stands when all else has fallen."
1 Corinthians 13:7-8
Love Knows No Limit has a sister painting of the same size called Gaia, and is inspired by the work of New York artist Helen Frankenthaler.
The light, space and vibrancy of colour in this large-scale work are influenced by the artist’s engagement with 20th century Californian and Expressionist painting. It is a leading example of the passion and ‘divine’ spiritual energy that defines Trudie Tara Moulton’s work.
Viewing this huge colourfield painting is an immersive experience. The frequency of the colour palette in warm coral, reds and pinks and cooler turquoise greens is palpable on the body.
Collect as a joyful Abstract Expressionist work that pairs technical brilliance with a searing emotional radiance.
Love Knows No Limit can be hung vertically and read as an abstract landscape, but the artist prefers that it is primarily read as a non-objective abstract painting evoking the expansive metaphysical field of love; the infinite force which knows no limit.
"Love knows no limit to its endurance, no end to its trust, no fading of its hope; it can outlast anything. It is, in fact, the one thing that still stands when all else has fallen."
1 Corinthians 13:7-8
Love Knows No Limit has a sister painting of the same size called Gaia, and is inspired by the work of New York artist Helen Frankenthaler.
The light, space and vibrancy of colour in this large-scale work are influenced by the artist’s engagement with 20th century Californian and Expressionist painting. It is a leading example of the passion and ‘divine’ spiritual energy that defines Trudie Tara Moulton’s work.
Viewing this huge colourfield painting is an immersive experience. The frequency of the colour palette in warm coral, reds and pinks and cooler turquoise greens is palpable on the body.
Collect as a joyful Abstract Expressionist work that pairs technical brilliance with a searing emotional radiance.
Love Knows No Limit can be hung vertically and read as an abstract landscape, but the artist prefers that it is primarily read as a non-objective abstract painting evoking the expansive metaphysical field of love; the infinite force which knows no limit.
"Love knows no limit to its endurance, no end to its trust, no fading of its hope; it can outlast anything. It is, in fact, the one thing that still stands when all else has fallen."
1 Corinthians 13:7-8
Love Knows No Limit has a sister painting of the same size called Gaia, and is inspired by the work of New York artist Helen Frankenthaler.
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2014, oil and acrylic on canvas, 75 x 86.5 in / 190 x 220 cm
Stretched on sturdy museum-grade wooden stretcher bars and ready to hang as is. May be shipped internationally rolled in a tube.
This painting ships from my studio in Cornwall, UK